Individual Paintings

About Individual - Paintings

Midnight Rift, painting by Linda Sgoluppi (50×100 cm): acrylic paint and acrylic paint skins on canvas. The abstract composition is dominated by dark blues and deep greens, with areas of white and additional secondary colours distributed across the surface. The paint handling is layered and textured, combining applied acrylic paint with embedded acrylic paint skins. Trails of run paint are visible as deliberate elements, moving across the surface and contributing to the sense of depth and movement. The painting is informed by the idea of a moment of stillness at night, where a rupture or division appears, allowing light and colour to break through darker areas and suggesting an intersection between the known and the unknown.

Midnight Rift - Acrylic paint/skins on panel - 70x100cm

A painting in the artist's studio - Midnight Rift, painting by Linda Sgoluppi (50×100 cm): acrylic paint and acrylic paint skins on canvas. The abstract composition is dominated by dark blues and deep greens, with areas of white and additional secondary colours distributed across the surface. The paint handling is layered and textured, combining applied acrylic paint with embedded acrylic paint skins. Trails of run paint are visible as deliberate elements, moving across the surface and contributing to the sense of depth and movement. The painting is informed by the idea of a moment of stillness at night, where a rupture or division appears, allowing light and colour to break through darker areas and suggesting an intersection between the known and the unknown.

In the Artist's studio - Midnight Rift - Acrylic paint/skins on panel - 70x100cm

Detail - Midnight Rift, painting by Linda Sgoluppi (50×100 cm): acrylic paint and acrylic paint skins on canvas. The abstract composition is dominated by dark blues and deep greens, with areas of white and additional secondary colours distributed across the surface. The paint handling is layered and textured, combining applied acrylic paint with embedded acrylic paint skins. Trails of run paint are visible as deliberate elements, moving across the surface and contributing to the sense of depth and movement. The painting is informed by the idea of a moment of stillness at night, where a rupture or division appears, allowing light and colour to break through darker areas and suggesting an intersection between the known and the unknown.

Detail - Midnight Rift - Acrylic paint/skins on panel - 70x100cm

Yonder, painting by Linda Sgoluppi (70×100 cm): acrylic paint and acrylic paint skins on panel. An abstract composition with a vibrant surface structured by rectangular areas that gather and contain more chaotic painted elements. Colours include strong yellows and indigo blues, with shapes that resemble calligraphic or language-like forms within the rectangles. The paint surface is layered and textured through the combination of applied acrylic paint and acrylic paint skins. The painting is informed by the idea of a distant landscape and a moment of stillness, evoking a sense of expansiveness and calm within a structured composition.

Yonder - Acrylic skins on panel - 70x100cm

$Rupture, painting by Linda Sgoluppi (100×120 cm): acrylic paint and acrylic paint skins. An abstract painting with an energetic, multi-coloured surface characterised by lightness and variation. The paint handling combines applied acrylic paint with acrylic paint skins, creating layered but open areas where colours interact and shift across the canvas. Marks and colour transitions generate movement without heaviness. The painting is informed by the idea of rupture as a gradual and often imperceptible process, where accumulated fractures lead to change and the emergence of something new.$

Rupture - Acrylic/ paint skin on canvas - 100x120cm

.Over the Brook, painting by Linda Sgoluppi (51×76 cm): acrylic paint and acrylic paint skins. An abstract painting with a predominantly green surface, with pops of vibrant colour, textured and layered through applied acrylic paint and acrylic paint skins. Colours and marks shift across the canvas, suggesting movement and variation reminiscent of life around a brook, including its vegetation, wildlife, and seasonal changes. The painting was created during the Covid-19 pandemic, a period when, like many people, the artist experienced disruption and uncertainty. The composition is informed by the view outside her studio, capturing the dynamic, ever-changing qualities of the surrounding environment.

Over the Brook - Acrylic/skins on canvas - 51x76cm

Underneath Noon, painting by Linda Sgoluppi (70×70 cm): acrylic paint and acrylic paint skins on canvas. An abstract painting with a vertical composition, where colours flow in rivulets down the textured surface. The paint handling combines applied acrylic paint and acrylic paint skins, creating layered variation and subtle interactions of colour. The work reflects a focus on the movement and behaviour of materials on the canvas, capturing the shifting qualities of colour and surface across a liminal moment as morning becomes afternoon.

Underneath Noon - Acrylic/skins on canvas - 70x70cm

Day by Day, painting by Linda Sgoluppi (61×51 cm): acrylic paint and acrylic paint skins on canvas. An abstract painting with a vertical composition, interrupted by a rectangular paint skin integrated into the surface. The textured canvas combines applied acrylic paint and acrylic paint skins, with layered marks and colours that interact across the work, suggesting variation and movement. The painting was created during the Covid-19 lockdown.

Day by day - Painting - Acrylic/skins on canvas - 70x70cm

Detail - Yonder, painting by Linda Sgoluppi (70×100 cm): acrylic paint and acrylic paint skins on panel. An abstract composition with a vibrant surface structured by rectangular areas that gather and contain more chaotic painted elements. Colours include strong yellows and indigo blues, with shapes that resemble calligraphic or language-like forms within the rectangles. The paint surface is layered and textured through the combination of applied acrylic paint and acrylic paint skins. The painting is informed by the idea of a distant landscape and a moment of stillness, evoking a sense of expansiveness and calm within a structured composition.

Detail - Yonder - Acrylic skins on panel - 70x100cm

$Detail - Rupture, painting by Linda Sgoluppi (100×120 cm): acrylic paint and acrylic paint skins. An abstract painting with an energetic, multi-coloured surface characterised by lightness and variation. The paint handling combines applied acrylic paint with acrylic paint skins, creating layered but open areas where colours interact and shift across the canvas. Marks and colour transitions generate movement without heaviness. The painting is informed by the idea of rupture as a gradual and often imperceptible process, where accumulated fractures lead to change and the emergence of something new.$

Detail - Rupture - Acrylic/ paint skin on canvas - 100x120cm

Detail - Over the Brook, painting by Linda Sgoluppi (51×76 cm): acrylic paint and acrylic paint skins. An abstract painting with a predominantly green surface, with pops of vibrant colour, textured and layered through applied acrylic paint and acrylic paint skins. Colours and marks shift across the canvas, suggesting movement and variation reminiscent of life around a brook, including its vegetation, wildlife, and seasonal changes. The painting was created during the Covid-19 pandemic, a period when, like many people, the artist experienced disruption and uncertainty. The composition is informed by the view outside her studio, capturing the dynamic, ever-changing qualities of the surrounding environment.

Detail - Over the Brook - Acrylic/skins on canvas - 51x76cm

Detail of a colourful abstract Painting - Underneath Noon, painting by Linda Sgoluppi (70×70 cm): acrylic paint and acrylic paint skins on canvas. An abstract painting with a vertical composition, where colours flow in rivulets down the textured surface. The paint handling combines applied acrylic paint and acrylic paint skins, creating layered variation and subtle interactions of colour. The work reflects a focus on the movement and behaviour of materials on the canvas, capturing the shifting qualities of colour and surface across a liminal moment as morning becomes afternoon.

Detail - Underneath Noon - Acrylic/skins on canvas - 70x70cm

Detail of an abstract painting - Day by Day, painting by Linda Sgoluppi (61×51 cm): acrylic paint and acrylic paint skins on canvas. An abstract painting with a vertical composition, interrupted by a rectangular paint skin integrated into the surface. The textured canvas combines applied acrylic paint and acrylic paint skins, with layered marks and colours that interact across the work, suggesting variation and movement. The painting was created during the Covid-19 lockdown.

Detail - Day by day - Painting - Acrylic/skins on canvas - 70x70cm

A colourful abstract painting in a room - Yonder, painting by Linda Sgoluppi (70×100 cm): acrylic paint and acrylic paint skins on panel. An abstract composition with a vibrant surface structured by rectangular areas that gather and contain more chaotic painted elements. Colours include strong yellows and indigo blues, with shapes that resemble calligraphic or language-like forms within the rectangles. The paint surface is layered and textured through the combination of applied acrylic paint and acrylic paint skins. The painting is informed by the idea of a distant landscape and a moment of stillness, evoking a sense of expansiveness and calm within a structured composition.

In situ - Yonder - Acrylic skins on panel - 70x100cm

$A colourful abstract painting in a room - Rupture, painting by Linda Sgoluppi (100×120 cm): acrylic paint and acrylic paint skins. An abstract painting with an energetic, multi-coloured surface characterised by lightness and variation. The paint handling combines applied acrylic paint with acrylic paint skins, creating layered but open areas where colours interact and shift across the canvas. Marks and colour transitions generate movement without heaviness. The painting is informed by the idea of rupture as a gradual and often imperceptible process, where accumulated fractures lead to change and the emergence of something new.$

In situ - Rupture - Acrylic/ paint skin on canvas - 100x120cm

An abstract Painting in a room - Over the Brook, painting by Linda Sgoluppi (51×76 cm): acrylic paint and acrylic paint skins. An abstract painting with a predominantly green surface, with pops of vibrant colour, textured and layered through applied acrylic paint and acrylic paint skins. Colours and marks shift across the canvas, suggesting movement and variation reminiscent of life around a brook, including its vegetation, wildlife, and seasonal changes. The painting was created during the Covid-19 pandemic, a period when, like many people, the artist experienced disruption and uncertainty. The composition is informed by the view outside her studio, capturing the dynamic, ever-changing qualities of the surrounding environment.

In situ - Over the Brook - Acrylic/skins on canvas - 51x76cm

A colourful abstract Painting in a room - Underneath Noon, painting by Linda Sgoluppi (70×70 cm): acrylic paint and acrylic paint skins on canvas. An abstract painting with a vertical composition, where colours flow in rivulets down the textured surface. The paint handling combines applied acrylic paint and acrylic paint skins, creating layered variation and subtle interactions of colour. The work reflects a focus on the movement and behaviour of materials on the canvas, capturing the shifting qualities of colour and surface across a liminal moment as morning becomes afternoon.

In situ - Underneath Noon - Acrylic/skins on canvas - 70x70cm

An abstract painting in a hall. A dog is in the photograph - Day by Day, painting by Linda Sgoluppi (61×51 cm): acrylic paint and acrylic paint skins on canvas. An abstract painting with a vertical composition, interrupted by a rectangular paint skin integrated into the surface. The textured canvas combines applied acrylic paint and acrylic paint skins, with layered marks and colours that interact across the work, suggesting variation and movement. The painting was created during the Covid-19 lockdown.

In situ - Day by day - Painting - Acrylic/skins on canvas - 70x70cm

Linda Sgoluppi Art

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